Bibliografie
Contexte historique et culturel du retable de Saint-Denis. Autour d’Érard de La Marck et de Lambert Lombard. In: . Flesh, Gold and Wood. The Saint-Denis altarpiece in Liège and the question of partial paint practices in the 16th century. Proceedings of the Conference held at the Royal Institute for Cultural Heritage in Brussels, 22-24 October 2015. Brussel: Koninklijk Instituut voor het Kunstpatrimonium; 2020. pp. 17-35. .
Les Borman et la Renaissance. La prédelle du retable de Saint-Denis. In: . Flesh, Gold and Wood. The Saint-Denis altarpiece in Liège and the question of partial paint practices in the 16th century. Proceedings of the Conference held at the Royal Institute for Cultural Heritage in Brussels, 22-24 October 2015. Brussel: Koninklijk Instituut voor het Kunstpatrimonium; 2020. pp. 179-199. .
Les bibliothèques des anciennes congrégations religieuses à l’origine des fonds patrimoniaux des bibliothèques de l’Université de Liège. In: . Nouveaux regards sur les saisies patrimoniales en Europe à l'époque de la Révolution française. Turnhout: Brepols; 2020. pp. 193-208. .
La huche du retable de Saint-Denis : un produit de l’atelier des Borman. In: . Flesh, Gold and Wood. The Saint-Denis altarpiece in Liège and the question of partial paint practices in the 16th century. Proceedings of the Conference held at the Royal Institute for Cultural Heritage in Brussels, 22-24 October 2015. Brussel: Koninklijk Instituut voor het Kunstpatrimonium; 2020. pp. 149-177. .
L’apport de la consultation des archives du XIXe siècle pour appréhender la polychromie partielle du retable de Saint-Denis. Interventions, point de vue et appréciation des restaurateurs de l’époque. In: . Flesh, Gold and Wood. The Saint-Denis altarpiece in Liège and the question of partial paint practices in the 16th century. Proceedings of the Conference held at the Royal Institute for Cultural Heritage in Brussels, 22-24 October 2015. Brussel: Koninklijk Instituut voor het Kunstpatrimonium; 2020. pp. 99-113. .
The half-polychromed wooden altarpiece of Saint-Denis. Interdisciplinary study and treatment project step by step. In: . Flesh, Gold and Wood. The Saint-Denis altarpiece in Liège and the question of partial paint practices in the 16th century. Proceedings of the Conference held at the Royal Institute for Cultural Heritage in Brussels, 22-24 October 2015. Brussel: Koninklijk Instituut voor het Kunstpatrimonium; 2020. pp. 37-77. .
Les volets peints du retable de Saint-Denis et les débuts de Lambert Lombard à Liège. In: . Flesh, Gold and Wood. The Saint-Denis altarpiece in Liège and the question of partial paint practices in the 16th century. Proceedings of the Conference held at the Royal Institute for Cultural Heritage in Brussels, 22-24 October 2015. Brussel: Koninklijk Instituut voor het Kunstpatrimonium; 2020. pp. 215-251. .
Contexte historique et culturel du retable de Saint-Denis. Autour d’Érard de La Marck et de Lambert Lombard. In: . Flesh, Gold and Wood. The Saint-Denis altarpiece in Liège and the question of partial paint practices in the 16th century. Proceedings of the Conference held at the Royal Institute for Cultural Heritage in Brussels, 22-24 October 2015. Brussel: Koninklijk Instituut voor het Kunstpatrimonium; 2020. pp. 17-35. .
Lambertus pictor in the Saint-Denis church accounts of 1533. New developments. In: . Flesh, Gold and Wood. The Saint-Denis altarpiece in Liège and the question of partial paint practices in the 16th century. Proceedings of the Conference held at the Royal Institute for Cultural Heritage in Brussels, 22-24 October 2015. Brussel: Koninklijk Instituut voor het Kunstpatrimonium; 2020. pp. 201-213. .
Un ancien autel de l’église Saint-Jacques à Liège conservé à Suarlée. Bulletin de la Société royale "Le Vieux Liège". 2005;14(311):697-706. .