@inbook {2020,
	title = {The Absence of a Signature Style in the Art of Goossen Van der Weyden},
	booktitle = {Crazy about Dymphna. The Story of a Girl who Drove a Medieval City Mad},
	year = {2020},
	pages = {206-215},
	publisher = {Hannibal-The Phoebus Foundation},
	organization = {Hannibal-The Phoebus Foundation},
	address = {Veurne},
	abstract = {Bespreekt onder andere het verdwenen hoofdaltaar van Tongerlo door Goossen Van der Weyden},
	isbn = {978-94-6388-742-7},
	author = {Ilsink, Matthijs},
	editor = {Van Dorst, Sven}
}
@inbook {2020,
	title = {Antonius Tsgrooten, Son of a Farrier, Patron and Prelate of a Powerful Brabant Abbey},
	booktitle = {Crazy about Dymphna. The Story of a Girl who Drove a Medieval City Mad},
	year = {2020},
	pages = {77-92},
	publisher = {Hannibal-The Phoebus Foundation},
	organization = {Hannibal-The Phoebus Foundation},
	address = {Veurne},
	isbn = {978-94-6388-742-7},
	author = {Van Lani, Stefan and Appelmans, Janick},
	editor = {Van Dorst, Sven}
}
@inbook {2020,
	title = {Antonius Tsgrooten, zoon van een hoefsmid, mecenas en prelaat van een machtige Brabantse abdij},
	booktitle = {Zot van Dimpna. Acht panelen vol passie, lef en rebellie},
	year = {2020},
	pages = {78-92},
	publisher = {Hannibal-The Phoebus Foundation},
	organization = {Hannibal-The Phoebus Foundation},
	address = {Veurne},
	isbn = {978-94-6388-741-0},
	author = {Appelmans, Janick and Van Lani, Stefan},
	editor = {Van Dorst, Sven}
}
@inbook {2020,
	title = {Clothing and Utensils as Attributes on the Dymphna altarpiece},
	booktitle = {Crazy about Dymphna. The Story of a Girl who Drove a Medieval City Mad},
	year = {2020},
	pages = {362-374},
	publisher = {Hannibal-The Phoebus Foundation},
	organization = {Hannibal-The Phoebus Foundation},
	address = {Veurne},
	isbn = {978-94-6388-742-7},
	author = {Timmermans, Lucinda},
	editor = {Van Dorst, Sven}
}
@inbook {2020,
	title = {De Antwerpse schilderkunst rond 1500: de rol van Goossen Van der Weyden en het Dimpna-altaarstuk},
	booktitle = {Zot van Dimpna. Acht panelen vol passie, lef en rebellie},
	year = {2020},
	pages = {156-178},
	publisher = {Hannibal-The Phoebus Foundation},
	organization = {Hannibal-The Phoebus Foundation},
	address = {Veurne},
	isbn = {978-94-6388-741-0},
	author = {P{\'e}rier-D{\textquoteright}Ieteren, Catheline},
	editor = {Van Dorst, Sven}
}
@inbook {6013,
	title = {De hele wereld in de ban van Dimpna},
	booktitle = {Zot van Dimpna. Acht panelen vol passie, lef en rebellie},
	year = {2020},
	pages = {300-306},
	publisher = {Hannibal-The Phoebus Foundation},
	organization = {Hannibal-The Phoebus Foundation},
	address = {Veurne},
	isbn = {978-94-6388-741-0},
	author = {Lefevere, Janna},
	editor = {Van Dorst, Sven}
}
@inbook {2020,
	title = {De opdrachtgevers van het Dimpna-altaarstuk ontmaskerd},
	booktitle = {Zot van Dimpna. Acht panelen vol passie, lef en rebellie },
	year = {2020},
	pages = {96-108},
	publisher = {Hannibal-The Phoebus Foundation},
	organization = {Hannibal-The Phoebus Foundation},
	address = {Veurne},
	abstract = {Goossen Van der Weyden schilderde de portretten van de Tongerlose abt Antoon Tsgrooten en zijn kamerling Willem Sapels op een drager van tinfolie, wellicht omdat deze niet in het atelier in Antwerpen, maar in Tongerlo geschilderd werden.},
	isbn = {978-94-6388-741-0},
	author = {Van Dorst, Sven},
	editor = {Van Dorst, Sven}
}
@inbook {2020,
	title = {De stijlloze kunst van Goossen Van der Weyden},
	booktitle = {Zot van Dimpna. Acht panelen vol passie, lef en rebellie},
	year = {2020},
	pages = {206-215},
	publisher = {Hannibal-The Phoebus Foundation},
	organization = {Hannibal-The Phoebus Foundation},
	address = {Veurne},
	abstract = {Bespreekt onder andere het verdwenen hoofdaltaar van Tongerlo door Goossen Van der Weyden},
	isbn = {978-94-6388-741-0},
	author = {Ilsink, Matthijs},
	editor = {Van Dorst, Sven}
}
@inbook {2020,
	title = {De verdwenen triptiek: het Dimpna-altaarstuk digitaal gereconstrueerd},
	booktitle = {Zot van Dimpna. Acht panelen vol passie, lef en rebellie},
	year = {2020},
	pages = {24-34},
	publisher = {Hannibal-The Phoebus Foundation},
	organization = {Hannibal-The Phoebus Foundation},
	address = {Veurne},
	abstract = {Deze bijdrage bespreekt de historiek van het schilderij. Met een onderbreking van 1796 tot 1840 bleef het drieluik tot 1913 bezit van de abdij van Tongerlo. Het paneel met De marteling van Dimpna ging voor 1840 verloren.},
	isbn = {978-94-6388-741-0},
	author = {Van Dorst, Sven and Weissenborn, Hilde},
	editor = {Van Dorst, Sven}
}
@inbook {2020,
	title = {Dimpna, historische achtergronden en cultus },
	booktitle = {Zot van Dimpna. Acht panelen vol passie, lef en rebellie},
	year = {2020},
	pages = {266-278},
	publisher = {Hannibal-The Phoebus Foundation},
	organization = {Hannibal-The Phoebus Foundation},
	address = {Veurne},
	isbn = {978-94-6388-741-0},
	author = {Mulder-Bakker, Anneke B.},
	editor = {Van Dorst, Sven}
}
@inbook {2020,
	title = {Dymphna, her Historical Background and Cult},
	booktitle = {Crazy about Dymphna. The Story of a Girl who Drove a Medieval City Mad},
	year = {2020},
	pages = {266-278},
	publisher = {Hannibal-The Phoebus Foundation},
	organization = {Hannibal-The Phoebus Foundation},
	address = {Veurne},
	isbn = {978-94-6388-742-7},
	author = {Mulder-Bakker, Anneke B.},
	editor = {Van Dorst, Sven}
}
@inbook {2020,
	title = {Een blik achter de schermen: de creatie van het Dimpna-altaarstuk},
	booktitle = {Zot van Dimpna. Acht panelen vol passie, lef en rebellie},
	year = {2020},
	pages = {220-247},
	publisher = {Hannibal-The Phoebus Foundation},
	organization = {Hannibal-The Phoebus Foundation},
	address = {Veurne},
	isbn = {978-94-6388-741-0},
	author = {Van Dorst, Sven},
	editor = {Van Dorst, Sven}
}
@inbook {2020,
	title = {Goossen Van der Weyden and his Workshop},
	booktitle = {Crazy about Dymphna. The Story of a Girl who Drove a Medieval City Mad},
	year = {2020},
	pages = {250-261},
	publisher = {Hannibal-The Phoebus Foundation},
	organization = {Hannibal-The Phoebus Foundation},
	address = {Veurne},
	abstract = {Deze bijdrage baseert zich op verschillende werken die Goossen Van der Weyden voor de abdij van Tongerlo schilderde.},
	isbn = {978-94-6388-742-7},
	author = {Koopstra, Anna},
	editor = {Van Dorst, Sven}
}
@inbook {2020,
	title = {Goossen Van der Weyden and the Flemish Primitives},
	booktitle = {Crazy about Dymphna. The Story of a Girl who Drove a Medieval City Mad},
	year = {2020},
	pages = {132-152},
	publisher = {Hannibal-The Phoebus Foundation},
	organization = {Hannibal-The Phoebus Foundation},
	address = {Veurne},
	abstract = {Bespreekt ook de zogenaamde triptiek van abt Antonius Tsgrooten, die de abt bij een Verrijzenis uitbeeldt},
	isbn = {978-94-6388-742-7},
	author = {Borchert, Till-Holger},
	editor = {Van Dorst, Sven}
}
@inbook {2020,
	title = {Goossen Van der Weyden en de artistieke traditie van de Vlaamse primitieven},
	booktitle = {Zot van Dimpna. Acht panelen vol passie, lef en rebellie},
	year = {2020},
	pages = {132-152},
	publisher = {Hannibal-The Phoebus Foundation},
	organization = {Hannibal-The Phoebus Foundation},
	address = {Veurne},
	abstract = {Bespreekt ook de zogenaamde triptiek van abt Antonius Tsgrooten, die de abt bij een Verrijzenis uitbeeldt},
	isbn = {978-94-6388-741-0},
	author = {Borchert, Till-Holger},
	editor = {Van Dorst, Sven}
}
@inbook {2020,
	title = {Goossen Van der Weyden en zijn werkplaats},
	booktitle = {Zot van Dimpna. Acht panelen vol passie, lef en rebellie},
	year = {2020},
	pages = {250-261},
	publisher = {Hannibal-The Phoebus Foundation},
	organization = {Hannibal-The Phoebus Foundation},
	address = {Veurne},
	abstract = {Deze bijdrage baseert zich op verschillende werken die Goossen Van der Weyden voor de abdij van Tongerlo schilderde.},
	isbn = {978-94-6388-741-0},
	author = {Van Dorst, Sven},
	editor = {Van Dorst, Sven}
}
@inbook {2020,
	title = {Kleding en gebruiksobjecten als attributen op het Dimpnaaltaarstuk},
	booktitle = {Zot van Dimpna. Acht panelen vol passie, lef en rebellie},
	year = {2020},
	pages = {362-374},
	publisher = {Hannibal-The Phoebus Foundation},
	organization = {Hannibal-The Phoebus Foundation},
	address = {Veurne},
	isbn = {978-94-6388-741-0},
	author = {Timmermans, Lucinda},
	editor = {Van Dorst, Sven}
}
@inbook {2020,
	title = {A Look behind the Scenes: The creation of the Dymphna altarpiece},
	booktitle = {Crazy about Dymphna. The Story of a Girl who Drove a Medieval City Mad},
	year = {2020},
	pages = {220-247},
	publisher = {Hannibal-The Phoebus Foundation},
	organization = {Hannibal-The Phoebus Foundation},
	address = {Veurne},
	isbn = {978-94-6388-742-7},
	author = {Van Dorst, Sven},
	editor = {Van Dorst, Sven}
}
@inbook {2020,
	title = {Painting in Antwerp around 1500: Goossen Van der Weyden and the Dymphna Altarpiece},
	booktitle = {Crazy about Dymphna. The Story of a Girl who Drove a Medieval City Mad},
	year = {2020},
	pages = {156-178},
	publisher = {Hannibal-The Phoebus Foundation},
	organization = {Hannibal-The Phoebus Foundation},
	address = {Veurne},
	isbn = {978-94-6388-742-7},
	author = {P{\'e}rier-D{\textquoteright}Ieteren, Catheline},
	editor = {Van Dorst, Sven}
}
@inbook {2020,
	title = {The Patrons of the Dymphna Altarpiece Unmasked},
	booktitle = {Crazy about Dymphna. The Story of a Girl who Drove a Medieval City Mad},
	year = {2020},
	pages = {96-108},
	publisher = {Hannibal-The Phoebus Foundation},
	organization = {Hannibal-The Phoebus Foundation},
	address = {Veurne},
	abstract = {Goossen Van der Weyden schilderde de portretten van de Tongerlose abt Antoon Tsgrooten en zijn kamerling Willem Sapels op een drager van tinfolie, wellicht omdat deze niet in het atelier in Antwerpen, maar in Tongerlo geschilderd werden.},
	isbn = {978-94-6388-742-7},
	author = {Van Dorst, Sven},
	editor = {Van Dorst, Sven}
}
@inbook {2020,
	title = {Van sinte digne der h. maghet. De cultus van de heilige Dimpna in beeld en gebed},
	booktitle = {Zot van Dimpna. Acht panelen vol passie, lef en rebellie},
	year = {2020},
	pages = {282-294},
	publisher = {Hannibal-The Phoebus Foundation},
	organization = {Hannibal-The Phoebus Foundation},
	address = {Veurne},
	isbn = {978-94-6388-741-0},
	author = {Schalley, Niels},
	editor = {Van Dorst, Sven}
}
@inbook {2020,
	title = {Van sinte digne der h. maghet. The Cult of Saint Dymphna in Image and Prayer},
	booktitle = {Crazy about Dymphna. The Story of a Girl who Drove a Medieval City Mad},
	year = {2020},
	pages = {282-294},
	publisher = {Hannibal-The Phoebus Foundation},
	organization = {Hannibal-The Phoebus Foundation},
	address = {Veurne},
	isbn = {978-94-6388-742-7},
	author = {Schalley, Niels},
	editor = {Van Dorst, Sven}
}
@inbook {2020,
	title = {The Vanished Triptych: The Dymphna altarpiece digitally reconstructed},
	booktitle = {Crazy about Dymphna. The Story of a Girl who Drove a Medieval City Mad},
	year = {2020},
	pages = {24-34},
	publisher = {Hannibal-The Phoebus Foundation},
	organization = {Hannibal-The Phoebus Foundation},
	address = {Veurne},
	abstract = {Deze bijdrage bespreekt de historiek van het schilderij. Met een onderbreking van 1796 tot 1840 bleef het drieluik tot 1913 bezit van de abdij van Tongerlo. Het paneel met De marteling van Dimpna ging voor 1840 verloren.},
	isbn = {978-94-6388-742-7},
	author = {Van Dorst, Sven and Weissenborn, Hilde},
	editor = {Van Dorst, Sven}
}
@inbook {2020,
	title = {The Whole World under the Spell of Dymphna},
	booktitle = {Crazy about Dymphna. The Story of a Girl who Drove a Medieval City Mad},
	year = {2020},
	pages = {300-306},
	publisher = {Hannibal-The Phoebus Foundation},
	organization = {Hannibal-The Phoebus Foundation},
	address = {Veurne},
	isbn = {978-94-6388-742-7},
	author = {Lefevere, Janna},
	editor = {Van Dorst, Sven}
}
