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Kairis, P. - Y.  (2020).  Contexte historique et culturel du retable de Saint-Denis. Autour d?\'c9rard de La Marck et de Lambert Lombard. In E.  Mercier, De Boodt, R., & Kairis, P. - Y. (Red.), Flesh, Gold and Wood. The Saint-Denis altarpiece in Li\'e8ge and the question of partial paint practices in the 16th century. Proceedings of the Conference held at the Royal Institute for Cultural Heritage in Brussels, 22-24 October 2015 (Vol. 18, pp. 17-35). Brussel: Koninklijk Instituut voor het Kunstpatrimonium.\par \par Mercier, E.  (2020).  The half-polychromed wooden altarpiece of Saint-Denis. Interdisciplinary study and treatment project step by step. In E.  Mercier, De Boodt, R., & Kairis, P. - Y. (Red.), Flesh, Gold and Wood. The Saint-Denis altarpiece in Li\'e8ge and the question of partial paint practices in the 16th century. Proceedings of the Conference held at the Royal Institute for Cultural Heritage in Brussels, 22-24 October 2015 (Vol. 18, pp. 37-77). Brussel: Koninklijk Instituut voor het Kunstpatrimonium.\par \par Cayron, F.  (2020).  L?apport de la consultation des archives du XIXe si\'e8cle pour appr\'e9hender la polychromie partielle du retable de Saint-Denis. Interventions, point de vue et appr\'e9ciation des restaurateurs de l?\'e9poque. In E.  Mercier, De Boodt, R., & Kairis, P. - Y. (Red.), Flesh, Gold and Wood. The Saint-Denis altarpiece in Li\'e8ge and the question of partial paint practices in the 16th century. Proceedings of the Conference held at the Royal Institute for Cultural Heritage in Brussels, 22-24 October 2015 (Vol. 18, pp. 99-113). Brussel: Koninklijk Instituut voor het Kunstpatrimonium.\par \par P\'e9rier-D?Ieteren, C..  (2020).  La huche du retable de Saint-Denis : un produit de l?atelier des Borman. In E.  Mercier, De Boodt, R., & Kairis, P. - Y. (Red.), Flesh, Gold and Wood. The Saint-Denis altarpiece in Li\'e8ge and the question of partial paint practices in the 16th century. Proceedings of the Conference held at the Royal Institute for Cultural Heritage in Brussels, 22-24 October 2015 (Vol. 18, pp. 149-177). Brussel: Koninklijk Instituut voor het Kunstpatrimonium.\par \par Joly, E.  (2020).  Lambertus pictor in the Saint-Denis church accounts of 1533. New developments. In E.  Mercier, De Boodt, R., & Kairis, P. - Y. (Red.), Flesh, Gold and Wood. The Saint-Denis altarpiece in Li\'e8ge and the question of partial paint practices in the 16th century. Proceedings of the Conference held at the Royal Institute for Cultural Heritage in Brussels, 22-24 October 2015 (Vol. 18, pp. 201-213). Brussel: Koninklijk Instituut voor het Kunstpatrimonium.\par \par Lefftz, M.  (2020).  Les Borman et la Renaissance. La pr\'e9delle du retable de Saint-Denis. In E.  Mercier, De Boodt, R., & Kairis, P. - Y. (Red.), Flesh, Gold and Wood. The Saint-Denis altarpiece in Li\'e8ge and the question of partial paint practices in the 16th century. Proceedings of the Conference held at the Royal Institute for Cultural Heritage in Brussels, 22-24 October 2015 (Vol. 18, pp. 179-199). Brussel: Koninklijk Instituut voor het Kunstpatrimonium.\par \par Allart, D.  (2020).  Les volets peints du retable de Saint-Denis et les d\'e9buts de Lambert Lombard \'e0 Li\'e8ge. In E.  Mercier, De Boodt, R., & Kairis, P. - Y. (Red.), Flesh, Gold and Wood. The Saint-Denis altarpiece in Li\'e8ge and the question of partial paint practices in the 16th century. Proceedings of the Conference held at the Royal Institute for Cultural Heritage in Brussels, 22-24 October 2015 (Vol. 18, pp. 215-251). Brussel: Koninklijk Instituut voor het Kunstpatrimonium.\par \par De Boodt, R., & Sch\'e4fer, U..  (2007).  Vlaamse retabels. Een internationale reis langs laatmiddeleeuws beeldsnijwerk (p. 241). Leuven: Davidsfonds.\par \par }