Bibliografie

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Auteur Titel Type [ Jaar(Desc)]
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2020
Maertens, F. (2020). De Jeruzalemkerk en het Adornesdomein. Tijdingen uit Leuven. Tijdschrift van de Vereniging Historici Lovanienses, 171, 39-43.
Mol, J. A. (H. ). (2020). De namen van Friese kloosters. Fryslân. Historisch tijdschrift, 26(2), 16-20.
Mulder-Bakker, A. B. (2020). Dimpna, historische achtergronden en cultus . In S. Van Dorst (Red.), Zot van Dimpna. Acht panelen vol passie, lef en rebellie (pp. 266-278). Veurne: Hannibal-The Phoebus Foundation.
Melville, G. (2020). The Dominican Constitutiones. In K. Pansters (Red.), A Companion to Medieval Rules and Customaries (Vol. 93, pp. 253-281). Leiden: Brill.
Mulder-Bakker, A. B. (2020). Dymphna, her Historical Background and Cult. In S. Van Dorst (Red.), Crazy about Dymphna. The Story of a Girl who Drove a Medieval City Mad (pp. 266-278). Veurne: Hannibal-The Phoebus Foundation.
Wilkin, A. (2020). Entre collaboration et compétition : remarques sur les établissements canoniaux de Liège au XIIe siècle et leurs obligations vis-à-vis de la cathédrale Saint-Lambert. In M. Carnier & Meijns, B. L. I. (Red.), De canonicis qui seculares dicuntur. Treize siècles de chapitres séculiers dans les anciens Pays-Bas. Thirteen Centuries of Chapters of Secular Canons in the Low Countries (Vol. 105, pp. 37-60). Turnhout: Brepols.
Muschiol, G. (2020). Gender and monastic liturgy in the Latin West (high and late Middle Ages). In A. Beach & Cochelin, I. (Red.), .), The Cambridge History of Medieval Monasticism in the Latin West. II. The High and Late Middle Ages (Vol. 43, pp. 803-815). Cambridge: Cambridge University Press.
Mercier, E. (2020). The half-polychromed wooden altarpiece of Saint-Denis. Interdisciplinary study and treatment project step by step. In E. Mercier, De Boodt, R., & Kairis, P. - Y. (Red.), Flesh, Gold and Wood. The Saint-Denis altarpiece in Liège and the question of partial paint practices in the 16th century. Proceedings of the Conference held at the Royal Institute for Cultural Heritage in Brussels, 22-24 October 2015 (Vol. 18, pp. 37-77). Brussel: Koninklijk Instituut voor het Kunstpatrimonium.
Mercier, E. (2020). The half-polychromed wooden altarpiece of Saint-Denis. Interdisciplinary study and treatment project step by step. In E. Mercier, De Boodt, R., & Kairis, P. - Y. (Red.), Flesh, Gold and Wood. The Saint-Denis altarpiece in Liège and the question of partial paint practices in the 16th century. Proceedings of the Conference held at the Royal Institute for Cultural Heritage in Brussels, 22-24 October 2015 (Vol. 18, pp. 37-77). Brussel: Koninklijk Instituut voor het Kunstpatrimonium.
Mossman, S. (2020). Hatred of University Lecturers and the Inspired Word in the Fourteenth Century: Ruusbroec - Tauler - Merswin. In M. Rubin (Red.), Modus Vivendi: Religious Reform and the Laity in Late Medieval Europe (Vol. 19, pp. 17-36). Roma: Viella Libreria Editrice.
Falque, I. (2020). In the secrecy of the cell: Late Medieval Carthusian devotional imagery and meditative practices in the Low Countries. In R. Dekoninck, Guiderdoni, A., & Melion, W. S. (Red.), Quid est secretum? Visual representation of secrets in Early Modern Europe 1500-1700 (Vol. 65/2, pp. 13-36). Leiden: Brill.
Mertens, T., & van der Ploeg, D.. (2020). Individuality and Scripted Role in Devout Song and Prayer. In R. Hofman, Caspers, C. M. A., Nissen, P., van Dijk, M., & Oosterman, J. B. (Red.), Inwardness, Individualization, and Religious Agency in the Late Medieval Low Countries. Studies in The 'Devotio Moderna' and its Contexts (Vol. 43, pp. 159-179). Turnhout: Brepols. doi:https://doi.org/10.1484/M.MCS-EB.5.119394
Rose, (E. )E. G. E. (2020). Inscribed in the Book of Life: Liturgical Commemoration in Merovingian Gaul. In B. Effros & Moreira, I. (Red.), The Oxford Handbook of the Merovingian World (pp. 1012-1030). Oxford: Oxford University Press. doi:https://doi.org/10.1093/oxfordhb/9780190234188.013.52
Melville, G. (2020). The institutionalization of religious orders (12th–13th c.). In A. Beach & Cochelin, I. (Red.), The Cambridge History of Medieval Monasticism in the Latin West. II. The High and Late Middle Ages (pp. 783-802). Cambridge: Cambridge University Press.
Carnier, M., & Meijns, B. L. I.. (2020). Introduction. In M. Carnier & Meijns, B. L. I. (Red.), De canonicis qui seculares dicuntur. Treize siècles de chapitres séculiers dans les anciens Pays-Bas. Thirteen Centuries of Chapters of Secular Canons in the Low Countries (Vol. 105, p. 203). Turnhout: Brepols.
Carnier, M., & Meijns, B. L. I.. (2020). Introduction. In M. Carnier & Meijns, B. L. I. (Red.), De canonicis qui seculares dicuntur. Treize siècles de chapitres séculiers dans les anciens Pays-Bas. Thirteen Centuries of Chapters of Secular Canons in the Low Countries (Vol. 105, p. 203). Turnhout: Brepols.
Cayron, F. (2020). L’apport de la consultation des archives du XIXe siècle pour appréhender la polychromie partielle du retable de Saint-Denis. Interventions, point de vue et appréciation des restaurateurs de l’époque. In E. Mercier, De Boodt, R., & Kairis, P. - Y. (Red.), Flesh, Gold and Wood. The Saint-Denis altarpiece in Liège and the question of partial paint practices in the 16th century. Proceedings of the Conference held at the Royal Institute for Cultural Heritage in Brussels, 22-24 October 2015 (Vol. 18, pp. 99-113). Brussel: Koninklijk Instituut voor het Kunstpatrimonium.

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