Bibliografie

Kairis, P. - Y. (2020). Contexte historique et culturel du retable de Saint-Denis. Autour d’Érard de La Marck et de Lambert Lombard. In E. Mercier, De Boodt, R., & Kairis, P. - Y. (Red.), Flesh, Gold and Wood. The Saint-Denis altarpiece in Liège and the question of partial paint practices in the 16th century. Proceedings of the Conference held at the Royal Institute for Cultural Heritage in Brussels, 22-24 October 2015 (Vol. 18, pp. 17-35). Brussel: Koninklijk Instituut voor het Kunstpatrimonium.

Mercier, E. (2020). The half-polychromed wooden altarpiece of Saint-Denis. Interdisciplinary study and treatment project step by step. In E. Mercier, De Boodt, R., & Kairis, P. - Y. (Red.), Flesh, Gold and Wood. The Saint-Denis altarpiece in Liège and the question of partial paint practices in the 16th century. Proceedings of the Conference held at the Royal Institute for Cultural Heritage in Brussels, 22-24 October 2015 (Vol. 18, pp. 37-77). Brussel: Koninklijk Instituut voor het Kunstpatrimonium.

Cayron, F. (2020). L’apport de la consultation des archives du XIXe siècle pour appréhender la polychromie partielle du retable de Saint-Denis. Interventions, point de vue et appréciation des restaurateurs de l’époque. In E. Mercier, De Boodt, R., & Kairis, P. - Y. (Red.), Flesh, Gold and Wood. The Saint-Denis altarpiece in Liège and the question of partial paint practices in the 16th century. Proceedings of the Conference held at the Royal Institute for Cultural Heritage in Brussels, 22-24 October 2015 (Vol. 18, pp. 99-113). Brussel: Koninklijk Instituut voor het Kunstpatrimonium.

Périer-D’Ieteren, C.. (2020). La huche du retable de Saint-Denis : un produit de l’atelier des Borman. In E. Mercier, De Boodt, R., & Kairis, P. - Y. (Red.), Flesh, Gold and Wood. The Saint-Denis altarpiece in Liège and the question of partial paint practices in the 16th century. Proceedings of the Conference held at the Royal Institute for Cultural Heritage in Brussels, 22-24 October 2015 (Vol. 18, pp. 149-177). Brussel: Koninklijk Instituut voor het Kunstpatrimonium.

Joly, E. (2020). Lambertus pictor in the Saint-Denis church accounts of 1533. New developments. In E. Mercier, De Boodt, R., & Kairis, P. - Y. (Red.), Flesh, Gold and Wood. The Saint-Denis altarpiece in Liège and the question of partial paint practices in the 16th century. Proceedings of the Conference held at the Royal Institute for Cultural Heritage in Brussels, 22-24 October 2015 (Vol. 18, pp. 201-213). Brussel: Koninklijk Instituut voor het Kunstpatrimonium.

Oger, C. (2020). Les bibliothèques des anciennes congrégations religieuses à l’origine des fonds patrimoniaux des bibliothèques de l’Université de Liège. In P. - Y. Kairis (Red.), Nouveaux regards sur les saisies patrimoniales en Europe à l'époque de la Révolution française (pp. 193-208). Turnhout: Brepols.

Lefftz, M. (2020). Les Borman et la Renaissance. La prédelle du retable de Saint-Denis. In E. Mercier, De Boodt, R., & Kairis, P. - Y. (Red.), Flesh, Gold and Wood. The Saint-Denis altarpiece in Liège and the question of partial paint practices in the 16th century. Proceedings of the Conference held at the Royal Institute for Cultural Heritage in Brussels, 22-24 October 2015 (Vol. 18, pp. 179-199). Brussel: Koninklijk Instituut voor het Kunstpatrimonium.

Allart, D. (2020). Les volets peints du retable de Saint-Denis et les débuts de Lambert Lombard à Liège. In E. Mercier, De Boodt, R., & Kairis, P. - Y. (Red.), Flesh, Gold and Wood. The Saint-Denis altarpiece in Liège and the question of partial paint practices in the 16th century. Proceedings of the Conference held at the Royal Institute for Cultural Heritage in Brussels, 22-24 October 2015 (Vol. 18, pp. 215-251). Brussel: Koninklijk Instituut voor het Kunstpatrimonium.

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