Bibliografie
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Zur Ikonographie Norberts von Xanten. In , Mit Bibel und Spaten. 900 Jahre Prämonstratenserorden (Vol. 7, pp. 349-399). Halle (Saale): Mitteldeutscher Verlag.
. (2021). Archeologisch onderzoek in de Sint-Martinuskerk te Aalst (O.-Vl.). Archaeologia mediaevalis, 43, 60-63.
. (2020). Contexte historique et culturel du retable de Saint-Denis. Autour d’Érard de La Marck et de Lambert Lombard. In , Flesh, Gold and Wood. The Saint-Denis altarpiece in Liège and the question of partial paint practices in the 16th century. Proceedings of the Conference held at the Royal Institute for Cultural Heritage in Brussels, 22-24 October 2015 (Vol. 18, pp. 17-35). Brussel: Koninklijk Instituut voor het Kunstpatrimonium.
. (2020). Contexte historique et culturel du retable de Saint-Denis. Autour d’Érard de La Marck et de Lambert Lombard. In , Flesh, Gold and Wood. The Saint-Denis altarpiece in Liège and the question of partial paint practices in the 16th century. Proceedings of the Conference held at the Royal Institute for Cultural Heritage in Brussels, 22-24 October 2015 (Vol. 18, pp. 17-35). Brussel: Koninklijk Instituut voor het Kunstpatrimonium.
. (2020). Daily life in late medieval monasteries. In , The Cambridge History of Medieval Monasticism in the Latin West. II. The High and Late Middle Ages (pp. 1109-1124). Cambridge: Cambridge University Press.
. (2020). De goudse boekcultuur tot 1600. I. Het begin en de Collatiebroeders. Tidinge van die Goude, 38(3), 88-99.
. (2020). Goossen Van der Weyden and his Workshop. In , Crazy about Dymphna. The Story of a Girl who Drove a Medieval City Mad (pp. 250-261). Veurne: Hannibal-The Phoebus Foundation.
. (2020). The half-polychromed wooden altarpiece of Saint-Denis. Interdisciplinary study and treatment project step by step. In , Flesh, Gold and Wood. The Saint-Denis altarpiece in Liège and the question of partial paint practices in the 16th century. Proceedings of the Conference held at the Royal Institute for Cultural Heritage in Brussels, 22-24 October 2015 (Vol. 18, pp. 37-77). Brussel: Koninklijk Instituut voor het Kunstpatrimonium.
. (2020). L’apport de la consultation des archives du XIXe siècle pour appréhender la polychromie partielle du retable de Saint-Denis. Interventions, point de vue et appréciation des restaurateurs de l’époque. In , Flesh, Gold and Wood. The Saint-Denis altarpiece in Liège and the question of partial paint practices in the 16th century. Proceedings of the Conference held at the Royal Institute for Cultural Heritage in Brussels, 22-24 October 2015 (Vol. 18, pp. 99-113). Brussel: Koninklijk Instituut voor het Kunstpatrimonium.
. (2020). ‘L’Église de Cologne consulte l’Église de Liège sur un problème soulevé par l’application de la Paix de Dieu (1128-1137). Handelingen van de Koninklijke Commissie voor Geschiedenis, 186, 5-22.
. (2020). La huche du retable de Saint-Denis : un produit de l’atelier des Borman. In , Flesh, Gold and Wood. The Saint-Denis altarpiece in Liège and the question of partial paint practices in the 16th century. Proceedings of the Conference held at the Royal Institute for Cultural Heritage in Brussels, 22-24 October 2015 (Vol. 18, pp. 149-177). Brussel: Koninklijk Instituut voor het Kunstpatrimonium.
. (2020). Lambertus pictor in the Saint-Denis church accounts of 1533. New developments. In , Flesh, Gold and Wood. The Saint-Denis altarpiece in Liège and the question of partial paint practices in the 16th century. Proceedings of the Conference held at the Royal Institute for Cultural Heritage in Brussels, 22-24 October 2015 (Vol. 18, pp. 201-213). Brussel: Koninklijk Instituut voor het Kunstpatrimonium.
. (2020). Les bibliothèques des anciennes congrégations religieuses à l’origine des fonds patrimoniaux des bibliothèques de l’Université de Liège. In , Nouveaux regards sur les saisies patrimoniales en Europe à l'époque de la Révolution française (pp. 193-208). Turnhout: Brepols.
. (2020). Les Borman et la Renaissance. La prédelle du retable de Saint-Denis. In , Flesh, Gold and Wood. The Saint-Denis altarpiece in Liège and the question of partial paint practices in the 16th century. Proceedings of the Conference held at the Royal Institute for Cultural Heritage in Brussels, 22-24 October 2015 (Vol. 18, pp. 179-199). Brussel: Koninklijk Instituut voor het Kunstpatrimonium.
. (2020). Les volets peints du retable de Saint-Denis et les débuts de Lambert Lombard à Liège. In , Flesh, Gold and Wood. The Saint-Denis altarpiece in Liège and the question of partial paint practices in the 16th century. Proceedings of the Conference held at the Royal Institute for Cultural Heritage in Brussels, 22-24 October 2015 (Vol. 18, pp. 215-251). Brussel: Koninklijk Instituut voor het Kunstpatrimonium.
. (2020). Merovingian Hagiography. In , The Oxford Handbook of the Merovingian World (pp. 508-530). Oxford: Oxford University Press. doi:https://doi.org/10.1093/oxfordhb/9780190234188.013.29
. (2020). Monastic preaching and the sermon in medieval Latin Christendom to the twelfth century. In , The Cambridge History of Medieval Monasticism in the Latin West. II. The High and Late Middle Ages (pp. 710-728). Cambridge: Cambridge University Press.
. (2020). Monasticism, reform and authority in the Carolingian Era. In , The Cambridge History of Medieval Monasticism in the Latin West. I. Origins to the Eleventh Century (pp. 432-449). Cambridge: Cambridge University Press.
. (2020). Personnel of the Church of Nivelles as seen in the Liber ordinarius. In , The Liber ordinarius of Nivelles (Houghton Library, MSLat 422). Liturgy as Interdisciplinary Intersection (Vol. 111, pp. 341-358). Tübingen: Mohr Siebeck.
. (2020). Schrijven pro domo. De bijdrage van twee Arnhemse regularissen aan de opbouw van hun kloosterbibliotheek. Ons Geestelijk Erf, 90(3-4), 363-389.
. (2020). Secular Chapters in the Diocese of Utrecht from 1295 until the Reformation. In , De canonicis qui seculares dicuntur. Treize siècles de chapitres séculiers dans les anciens Pays-Bas. Thirteen Centuries of Chapters of Secular Canons in the Low Countries (Vol. 105, pp. 71-95). Turnhout: Brepols.
. (2020). Silent voices. A Digital Study of the Herne Charterhouse Scribal Community (ca. 1350-1400). Queeste, 27(2), 186-195.
. (2020). Utrechts kerkelijk bezit in het hertogdom Brabant. Het goed Westerlo-Olen circa 1000-1620. Taxandria, 91, 209-267.
. (2020). The Veneration of Boniface in the Middle Ages. In , A Companion to Boniface (pp. 357-378). Leiden-Boston: Brill.
. (2020). Alltag im Deutschordenskonvent Utrecht im 15. Jahrhundert. In , Das Leben im Ordenshaus. Vorträge der Tagung der interrnationalen Historischen Kommission zur Erforschung des Deutschen Ordens in Tallinn 2014 (pp. 164-177). Weimar: Verlag und Datenbank für Geisteswissenschaften.
. (2019).