Bibliografie
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L’apport de la consultation des archives du XIXe siècle pour appréhender la polychromie partielle du retable de Saint-Denis. Interventions, point de vue et appréciation des restaurateurs de l’époque. In , Flesh, Gold and Wood. The Saint-Denis altarpiece in Liège and the question of partial paint practices in the 16th century. Proceedings of the Conference held at the Royal Institute for Cultural Heritage in Brussels, 22-24 October 2015 (Vol. 18, pp. 99-113). Brussel: Koninklijk Instituut voor het Kunstpatrimonium.
. (2020). La huche du retable de Saint-Denis : un produit de l’atelier des Borman. In , Flesh, Gold and Wood. The Saint-Denis altarpiece in Liège and the question of partial paint practices in the 16th century. Proceedings of the Conference held at the Royal Institute for Cultural Heritage in Brussels, 22-24 October 2015 (Vol. 18, pp. 149-177). Brussel: Koninklijk Instituut voor het Kunstpatrimonium.
. (2020). Lambertus pictor in the Saint-Denis church accounts of 1533. New developments. In , Flesh, Gold and Wood. The Saint-Denis altarpiece in Liège and the question of partial paint practices in the 16th century. Proceedings of the Conference held at the Royal Institute for Cultural Heritage in Brussels, 22-24 October 2015 (Vol. 18, pp. 201-213). Brussel: Koninklijk Instituut voor het Kunstpatrimonium.
. (2020). Les Borman et la Renaissance. La prédelle du retable de Saint-Denis. In , Flesh, Gold and Wood. The Saint-Denis altarpiece in Liège and the question of partial paint practices in the 16th century. Proceedings of the Conference held at the Royal Institute for Cultural Heritage in Brussels, 22-24 October 2015 (Vol. 18, pp. 179-199). Brussel: Koninklijk Instituut voor het Kunstpatrimonium.
. (2020). Les volets peints du retable de Saint-Denis et les débuts de Lambert Lombard à Liège. In , Flesh, Gold and Wood. The Saint-Denis altarpiece in Liège and the question of partial paint practices in the 16th century. Proceedings of the Conference held at the Royal Institute for Cultural Heritage in Brussels, 22-24 October 2015 (Vol. 18, pp. 215-251). Brussel: Koninklijk Instituut voor het Kunstpatrimonium.
. (2020).