Bibliografie

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Auteur Titel Type [ Jaar(Asc)]
Filters: Auteur is Mercier, Emmanuelle  [Alle filters opschonen]
2020
Kairis, P. - Y. (2020). Contexte historique et culturel du retable de Saint-Denis. Autour d’Érard de La Marck et de Lambert Lombard. In E. Mercier, De Boodt, R., & Kairis, P. - Y. (Red.), Flesh, Gold and Wood. The Saint-Denis altarpiece in Liège and the question of partial paint practices in the 16th century. Proceedings of the Conference held at the Royal Institute for Cultural Heritage in Brussels, 22-24 October 2015 (Vol. 18, pp. 17-35). Brussel: Koninklijk Instituut voor het Kunstpatrimonium.
Mercier, E. (2020). The half-polychromed wooden altarpiece of Saint-Denis. Interdisciplinary study and treatment project step by step. In E. Mercier, De Boodt, R., & Kairis, P. - Y. (Red.), Flesh, Gold and Wood. The Saint-Denis altarpiece in Liège and the question of partial paint practices in the 16th century. Proceedings of the Conference held at the Royal Institute for Cultural Heritage in Brussels, 22-24 October 2015 (Vol. 18, pp. 37-77). Brussel: Koninklijk Instituut voor het Kunstpatrimonium.
Mercier, E. (2020). The half-polychromed wooden altarpiece of Saint-Denis. Interdisciplinary study and treatment project step by step. In E. Mercier, De Boodt, R., & Kairis, P. - Y. (Red.), Flesh, Gold and Wood. The Saint-Denis altarpiece in Liège and the question of partial paint practices in the 16th century. Proceedings of the Conference held at the Royal Institute for Cultural Heritage in Brussels, 22-24 October 2015 (Vol. 18, pp. 37-77). Brussel: Koninklijk Instituut voor het Kunstpatrimonium.
Cayron, F. (2020). L’apport de la consultation des archives du XIXe siècle pour appréhender la polychromie partielle du retable de Saint-Denis. Interventions, point de vue et appréciation des restaurateurs de l’époque. In E. Mercier, De Boodt, R., & Kairis, P. - Y. (Red.), Flesh, Gold and Wood. The Saint-Denis altarpiece in Liège and the question of partial paint practices in the 16th century. Proceedings of the Conference held at the Royal Institute for Cultural Heritage in Brussels, 22-24 October 2015 (Vol. 18, pp. 99-113). Brussel: Koninklijk Instituut voor het Kunstpatrimonium.
Périer-D’Ieteren, C.. (2020). La huche du retable de Saint-Denis : un produit de l’atelier des Borman. In E. Mercier, De Boodt, R., & Kairis, P. - Y. (Red.), Flesh, Gold and Wood. The Saint-Denis altarpiece in Liège and the question of partial paint practices in the 16th century. Proceedings of the Conference held at the Royal Institute for Cultural Heritage in Brussels, 22-24 October 2015 (Vol. 18, pp. 149-177). Brussel: Koninklijk Instituut voor het Kunstpatrimonium.
Joly, E. (2020). Lambertus pictor in the Saint-Denis church accounts of 1533. New developments. In E. Mercier, De Boodt, R., & Kairis, P. - Y. (Red.), Flesh, Gold and Wood. The Saint-Denis altarpiece in Liège and the question of partial paint practices in the 16th century. Proceedings of the Conference held at the Royal Institute for Cultural Heritage in Brussels, 22-24 October 2015 (Vol. 18, pp. 201-213). Brussel: Koninklijk Instituut voor het Kunstpatrimonium.
Lefftz, M. (2020). Les Borman et la Renaissance. La prédelle du retable de Saint-Denis. In E. Mercier, De Boodt, R., & Kairis, P. - Y. (Red.), Flesh, Gold and Wood. The Saint-Denis altarpiece in Liège and the question of partial paint practices in the 16th century. Proceedings of the Conference held at the Royal Institute for Cultural Heritage in Brussels, 22-24 October 2015 (Vol. 18, pp. 179-199). Brussel: Koninklijk Instituut voor het Kunstpatrimonium.
Allart, D. (2020). Les volets peints du retable de Saint-Denis et les débuts de Lambert Lombard à Liège. In E. Mercier, De Boodt, R., & Kairis, P. - Y. (Red.), Flesh, Gold and Wood. The Saint-Denis altarpiece in Liège and the question of partial paint practices in the 16th century. Proceedings of the Conference held at the Royal Institute for Cultural Heritage in Brussels, 22-24 October 2015 (Vol. 18, pp. 215-251). Brussel: Koninklijk Instituut voor het Kunstpatrimonium.
2015
2014
Mercier, E. (2014). La statuaire en bois polychromé des XIIIe et XIVe siècles dans la Principauté de Stavelot-Malmedy: liens entre évolution stylistique et technique. In A. Dierkens, Schroeder, N., & Van den Bossche, B. (Red.), A la recherche d'un temps oublié.. Histoire, Art et Archéologie de l'abbaye de Stavelot-Malmedy au XIIIe siècle. Actes du colloque de Stavelot, 10-11 mai 2012 (pp. 109-114). Stavelot: Espaces Tourisme & Culture asbl.