Bibliografie

Vroomen, L. (2017). Ik heb mijn lief in eeuwigheid. Functies en thema’s van Middelnederlandse devote liederen, collaties en viten. Middeleeuwse Studies en Bronnen (Vol. 164, p. 285). Hilversum: Verloren.

Borghi, B. (2020). Il Mediterraneo di Anselmo Adorno. Una testimonianza di pellegrinaggio del tardo Medioevo (p. 562). Bologna: Pàtron.

Lambertini, R. (2012). Il sistema formativo degli studia degli ordini mendicanti: osservazioni a partire dai risultati di recenti indagini. In C. Andenna, Herbers, K., & Melville, G. (Red.), Die Ordnung der Kommunikation und die Kommunikation der Ordnungen. Band 1. Netzwerke: Klöster und Orden im Europa des 12. und 13. Jahrhunderts (Vol. 1.1, pp. 135-146). Stuttgart: Franz Steiner Verlag.

Caers, B., & Visscher, M.. (2018). The illuminated Brabantsche yeesten manuscripts IV 684 and IV 685 in the Royal Library of Belgium : an unfinished project of Brabantine historiography: description, list of illustrations and index of persons depicted. In Monte Artium, 11, 7-35.

Watteeuw, L. (2020). The Illuminated Parchment Mitre of Bisschop Jacques de Vitry (c. 1165-1240). In J. - M. Auwers & Vanysacker, D. (Red.), Pulchritudo tam antiqua et tam nova: Studies in History of Christianity in Honour of Mathijs Lamberigts (Vol. 107, pp. 49-59). Turnhout: Brepols.

Jasperse, J. (2016). Illustere voorouders in ere hersteld. Karel van Gelre en de ‘restauratie’ van het grafmonument van Gerard IV van Gelre en Margaretha in de Munsterkerk te Roermond. De Maasgouw, 135(3), 106-112.

Dlabačová, A.. (2020). Illustrated Incunabula as Material Objects: The Case of the Devout Hours on the Life and Passion of Jesus Christ. In R. Hofman, Caspers, C. M. A., Nissen, P., van Dijk, M., & Oosterman, J. B. (Red.), Inwardness, Individualization, and Religious Agency in the Late Medieval Low Countries. Studies in The 'Devotio Moderna' and its Contexts (Vol. 43, pp. 181-221). Turnhout: Brepols. doi:https://doi.org/10.1484/M.MCS-EB.5.119395

Pawlik, A. (2012). Im Angesicht der Autoritäten. Die Goldene Tafel des Xantener Viktorstifts im Kontext frühmittelalterlicher Altarstiftungen. In D. Geuenich & Lieven, J. (Red.), Das St. Viktor-Stift Xanten. Geschichte und Kultur im Mittelalter (Vol. 1, pp. 59-79). Köln-Weimar-Wien: Böhlau.

Wuttke, U. (2016). Im Diesseits das Jenseits bereiten. Eschatologie, Laienbildung und Zeitkritik bei den mittelniederländischen Autoren Jan van Boendale, Lodewijk van Velthem und Jan van Leeuwen (p. 422). Göttingen: Universitätsverlag Göttingen.

Marks, R. (2004). Image and devotion in late medieval England (p. 344). Stroud: Sutton.

Waaijman, K. (2003). Image and Imagelessness. A Challenge to [the Modern] Devotion. In H. Blommestijn, Caspers, C. M. A., & Hofman, R. (Red.), Spirituality renewed. Studies on Significant Representatives of the Modern Devotion (Vol. 10, pp. 29-40). Leuven: Peeters.

Schell, S. (2023). Image and the Office of the Dead in Late Medieval Europe. Regular, Repellant, and Redemptive Death. Visual and Material Culture, 1300-1700 (p. 240). Amsterdam: Amsterdam University Press.

Appelmans, J. (2020). Image et usage des bois par les prémontrés en Brabant. In M. Plouvier (Red.), Actes officiels des 41e, 42e et 43e colloques du Centre d’Études et de Recherches Prémontrées. Belgique, Liège, 2015 – Alsace, 2016 – République tchèque & Autriche, 2017 (Vol. 41-43, pp. 141-150). Laon: Centre d’Études et de Recherches Prémontrées.

Rudy, K. M. (2019). Image, Knife, and Gluepot. Early Assemblage in Manuscript and Print (p. 356). Cambridge: Open Book Publishers. Verkregen van https://doi.org/10.11647/OBP.0145

Sugiyama, M. (2021). Images and Indulgences in Early Netherlandish Painting. Distinguished Contributions to the Study of the Arts in the Burgundian Netherlands (Vol. 4, p. IV+193). London: Havery Miller.

Bücken, V.. (2015). Images et propagande au XVe siècle. Jacop Sourdiaus et les peintures du char de Sainte Gertrude à Nivelles. Belgisch Tijdschrift voor Oudheidkunde en Kunstgeschiedenis, 84, 5-56.

Kawahara, A. (1995). Imagining Medieval Charity. Sociale Ritual and Poor Relief in Late Medieval Ghent. The Journal of social Sciences and Humanities (Jinkun Gakuho), 23, 1-32.

Vanderputten, S. (2015). Imagining Religious Leadership in the Middle Ages. Richard of Saint-Vanne and the Politics of Reform (p. 264). Ithaca: Cornell University Press.

Reynolds, R. E. (2016). The Imago Christi in the Bishop, Priest, and Clergy. In G. Peters & Anderson, C. C. (Red.), A Companion to Priesthood and Holy Orders in the Middle Ages (pp. 140–187). Leiden: Brill.

van Schaïk, R.. (2012). Imago. De beeldtaal van middeleeuwse corporatieve zegels uit Groningen. Historisch Jaarboek Groningen, Jaarboek 2012, 6-23.

Ruf, S. (2012). Imago Xantensis 1529–1534. Die Gemälde Bartholomaeus Bruyns für den Xantener Hochaltar. In D. Geuenich & Lieven, J. (Red.), Das St. Viktor-Stift Xanten. Geschichte und Kultur im Mittelalter (Vol. 1, pp. 237-255). Köln-Weimar-Wien: Böhalu.

Plunkett-Latimer, A. (2016). The Imitation of Christ and Regular Flogging : A Form of Lay Brother Spirituality in the Twelfth-Century Cistercian and Carthusian Customaries. In K. Pansters & Plunkett-Latimer, A. (Red.), Shaping Stability. The Normation and Formation of Religious Life in the Middle Ages (Vol. 11, pp. 89-99). Turnhout: Brepols.

Balzer, E. (2012). Imiza von Xanten. Was die domna des 10. Jahrhunderts mit der Kaiserin Theophanu, den Grafen von Cappenberg und dem „Barbarossakopf“ zu tun hat. In D. Geuenich & Lieven, J. (Red.), Das St. Viktor-Stift Xanten. Geschichte und Kultur im Mittelalter (Vol. 1, pp. 17-57). Köln-Weimar-Wien: Böhlau.

Hoofdmenu

Pagina's